The High Window Page 6

I said: “Huh?”

  “Five dollars, please.”

  “What for?”

  “Don’t be absurd, Mr. Marlowe. Everything I have told you is available in the public library. In Fosdyke’s Register, in particular. You choose to come here and take up my time relating it to you. For this my charge is five dollars.”

  “And suppose I don’t pay it,” I said.

  He leaned back and closed his eyes. A very faint smile twitched at the corners of his lips. “You will pay it,” he said.

  I paid it. I took the five out of my wallet and got up to lean over the desk and spread it out right in front of him, carefully. I stroked the bill with my fingertips, as if it was a kitten.

  “Five dollars, Mr. Morningstar,” I said.

  He opened his eyes and looked at the bill. He smiled.

  “And now,” I said, “let’s talk about the Brasher Doubloon that somebody tried to sell you.”

  He opened his eyes a little wider. “Oh, did somebody try to sell me a Brasher Doubloon? Now why would they do that?”

  “They needed the money,” I said. “And they didn’t want too many questions asked. They knew or found out that you were in the business and that the building where you had your office was a shabby dump where anything could happen. They knew your office was at the end of a corridor and that you were an elderly man who would probably not make any false moves—out of regard for your health.”

  “They seem to have known a great deal,” Elisha Morningstar said dryly.

  “They knew what they had to know in order to transact their business. Just like you and me. And none of it was hard to find out.”

  He stuck his little finger in his ear and worked it around and brought it out with a little dark wax on it. He wiped it off casually on his coat.

  “And you assume all this from the mere fact that I called up Mrs. Murdock and asked if her Brasher Doubloon was for sale?”

  “Sure. She had the same idea herself. It’s reasonable. Like I said over the phone to you, you would know that coin was not for sale. If you knew anything about the business at all. And I can see that you do.”

  He bowed, about one inch. He didn’t quite smile but he looked about as pleased as a man in a Hoover collar ever looks.

  “You would be offered this coin for sale,” I said, “in suspicious circumstances. You would want to buy it, if you could get it cheap and had the money to handle it. But you would want to know where it came from. And even if you were quite sure it was stolen, you could still buy it, if you could get it cheap enough.”

  “Oh, I could, could I?” He looked amused, but not in a large way.

  “Sure you could—if you are a reputable dealer. I’ll assume you are. By buying the coin—cheap—you would be protecting the owner or his insurance carrier from complete loss. They’d be glad to pay you back your outlay. It’s done all the time.”

  “Then the Murdock Brasher has been stolen,” he said abruptly.

  “Don’t quote me,” I said. “It’s a secret.”

  He almost picked his nose this time. He just caught himself. He picked a hair out of one nostril instead, with a quick jerk and a wince. He held it up and looked at it. Looking at me past it he said:

  “And how much will your principal pay for the return of the coin?”

  I leaned over the desk and gave him my shady leer. “One grand. What did you pay?”

  “I think you are a very smart young man,” he said. Then he screwed his face up and his chin wobbled and his chest began to bounce in and out and a sound came out of him like a convalescent rooster learning to crow again after a long illness.

  He was laughing.

  It stopped after a while. His face came all smooth again and his eyes opened, black and sharp and shrewd.

  “Eight hundred dollars,” he said. “Eight hundred dollars for an uncirculated specimen of the Brasher Doubloon.” He chortled.

  “Fine. Got it with you? That leaves you two hundred. Fair enough. A quick turnover, a reasonable profit and no trouble for anybody.”

  “It is not in my office,” he said. “Do you take me for a fool?” He reached an ancient silver watch out of his vest on a black fob. He screwed up his eyes to look at it. “Let us say eleven in the morning,” he said. “Come back with your money. The coin may or may not be here, but if I am satisfied with your behavior, I will arrange matters.”

  “That is satisfactory,” I said, and stood up. “I have to get the money anyhow.”

  “Have it in used bills,” he said almost dreamily. “Used twenties will do. An occasional fifty will do no harm.”

  I grinned and started for the door. Halfway there I turned around and went back to lean both hands on the desk and push my face over it.

  “What did she look like?”

  He looked blank.

  “The girl that sold you the coin.”

  He looked blanker.

  “Okay,” I said. “It wasn’t a girl. She had help. It was a man. What did the man look like?”

  He pursed his lips and made another steeple with his fingers. “He was a middle-aged man, heavy set, about five feet seven inches tall and weighing around one hundred and seventy pounds. He said his name was Smith. He wore a blue suit, black shoes, a green tie and shirt, no hat. There was a brown bordered handkerchief in his outer pocket. His hair was dark brown sprinkled with gray. There was a bald patch about the size of a dollar on the crown of his head and a scar about two inches long running down the side of his jaw. On the left side, I think. Yes, on the left side.”

  “Not bad,” I said. “What about the hole in his right sock?”

  “I omitted to take his shoes off.”

  “Darn careless of you,” I said.

  He didn’t say anything. We just stared at each other, half curious, half hostile, like new neighbors. Then suddenly he went into his laugh again.

  The five dollar bill I had given him was still lying on his side of the desk. I flicked a hand across and took it.

  “You won’t want this now,” I said. “Since we started talking in thousands.”

  He stopped laughing very suddenly. Then he shrugged.

  “At eleven A.M.,” he said. “And no tricks, Mr. Marlowe. Don’t think I don’t know how to protect myself.”

  “I hope you do,” I said, “because what you are handling is dynamite.”

  I left him and tramped across the empty outer office and opened the door and let it shut, staying inside. There ought to be footsteps outside in the corridor, but his transom was closed and I hadn’t made much noise coming on crepe rubber soles. I hoped he would remember that. I sneaked back across the threadbare carpet and edged in behind the door, between the door and the little closed typewriter desk. A kid trick, but once in a while it will work, especially after a lot of smart conversation, full of worldliness and sly wit. Like a sucker play in football. And if it didn’t work this time, we would just be there sneering at each other again.

  It worked. Nothing happened for a while except that a nose was blown. Then all by himself in there he went into his sick rooster laugh again. Then a throat was cleared. Then a swivel chair squeaked, and feet walked.

  A dingy white head poked into the room, about two inches past the end of the door. It hung there suspended and I went into a state of suspended animation. Then the head was drawn back and four unclean fingernails came around the edge of the door and pulled. The door closed, clicked, was shut. I started breathing again and put my ear to the wooden panel.

  The swivel chair squeaked once more. The threshing sound of a telephone being dialed. I lunged across to the instrument on the little typewriter desk and lifted it. At the other end of the line the bell had started to ring. It rang six times. Then a man’s voice said: “Yeah?”

  “The Florence Apartments?”

  “Yeah.”

  “I’d like to speak to Mr. Anson in Apartment two-o-four.”

  “Hold the wire. I’ll see if he’s in.”

  Mr. Morningstar and I held the
wire. Noise came over it, the blaring sound of a loud radio broadcasting a baseball game. It was not close to the telephone, but it was noisy enough.

  Then I could hear the hollow sound of steps coming nearer and the harsh rattle of the telephone receiver being picked up and the voice said:

  “Not in. Any message?”

  “I’ll call later,” Mr. Morningstar said.

  I hung up fast and did a rapid glide across the floor to the entrance door and opened it very silently, like snow falling, and let it close the same way, taking its weight at the last moment, so that the click of the catch would not have been heard three feet away.

  I breathed hard and tight going down the hall, listening to myself. I pushed the elevator button. Then I got out the card which Mr. George Anson Phillips had given me in the lobby of the Hotel Metropole. I didn’t look at it in any real sense. I didn’t have to look at it to recall that it referred to Apartment 204, Florence Apartments, 128 Court Street. I just stood there flicking it with a fingernail while the old elevator came heaving up in the shaft, straining like a gravel truck on a hairpin turn.

  The time was three-fifty.

  EIGHT

  Bunker Hill is old town, lost town, shabby town, crook town. Once, very long ago, it was the choice residential district of the city, and there are still standing a few of the jigsaw Gothic mansions with wide porches and walls covered with round-end shingles and full corner bay windows with spindle turrets. They are all rooming houses now, their parquetry floors are scratched and worn through the once glossy finish and the wide sweeping staircases are dark with time and with cheap varnish laid on over generations of dirt. In the tall rooms haggard landladies bicker with shifty tenants. On the wide cool front porches, reaching their cracked shoes into the sun, and staring at nothing, sit the old men with faces like lost battles.

  In and around the old houses there are flyblown restaurants and Italian fruitstands and cheap apartment houses and little candy stores where you can buy even nastier things than their candy. And there are ratty hotels where nobody except people named Smith and Jones sign the register and where the night clerk is half watchdog and half pander.

  Out of the apartment houses come women who should be young but have faces like stale beer; men with pulled-down hats and quick eyes that look the street over behind the cupped hand that shields the match flame; worn intellectuals with cigarette coughs and no money in the bank; fly cops with granite faces and unwavering eyes; cokies and coke peddlers; people who look like nothing in particular and know it, and once in a while even men that actually go to work. But they come out early, when the wide cracked sidewalks are empty and still have dew on them.

  I was earlier than four-thirty getting over there, but not much. I parked at the end of the street, where the funicular railway comes struggling up the yellow clay bank from Hill Street, and walked along Court Street to the Florence Apartments. It was dark brick in front, three stories, the lower windows at sidewalk level and masked by rusted screens and dingy net curtains. The entrance door had a glass panel and enough of the name left to be read. I opened it and went down three brass bound steps into a hallway you could touch on both sides without stretching. Dim doors painted with numbers in dim paint. An alcove at the foot of the stairs with a pay telephone. A sign: Manager, Apt. 106. At the back of the hallway a screen door and in the alley beyond it four tall battered garbage pails in a line, with a dance of flies in the sunlit air above them.

  I went up the stairs. The radio I had heard over the telephone was still blatting the baseball game. I read numbers and went up front. Apartment 204 was on the right side and the baseball game was right across the hall from it. I knocked, got no answer and knocked louder. Behind my back three Dodgers struck out against a welter of synthetic crowd noise. I knocked a third time and looked out of the front hall window while I felt in my pocket for the key George Anson Phillips had given me.

  Across the street was an Italian funeral home, neat and quiet and reticent, white painted brick, flush with the sidewalk. Pietro Palermo Funeral Parlors. The thin green script of a neon sign lay across its façade, with a chaste air. A tall man in dark clothes came out of the front door and leaned against the white wall. He looked very handsome. He had dark skin and a handsome head of iron-gray hair brushed back from his forehead. He got out what looked at that distance to be a silver or platinum and black enamel cigarette case, opened it languidly with two long brown fingers and selected a gold-tipped cigarette. He put the case away and lit the cigarette with a pocket lighter that seemed to match the case. He put that away and folded his arms and stared at nothing with half closed eyes. From the tip of his motionless cigarette a thin wisp of smoke rose straight up past his face, as thin and straight as the smoke of a dying campfire at dawn.

  Another batter struck out or flied out behind my back in the recreated ball game. I turned from watching the tall Italian, put the key into the door of Apartment 204 and went in.

  A square room with a brown carpet, very little furniture and that not inviting. The wall bed with the usual distorting mirror faced me as I opened the door and made me look like a two-time loser sneaking home from a reefer party. There was a birchwood easy chair with some hard looking upholstery beside it in the form of a davenport. A table before the window held a lamp with a shirred paper shade. There was a door on either side of the bed.

  The door to the left led into a small kitchenette with a brown woodstone sink and a three-burner stove and an old electric icebox that clicked and began to throb in torment just as I pushed the door open. On the woodstone drain board stood the remains of somebody’s breakfast, mud at the bottom of a cup, a burnt crust of bread, crumbs on a board, a yellow slime of melted butter down the slope of a saucer, a smeared knife and a granite coffee pot that smelled like sacks in a hot barn.

  I went back around the wall bed and through the other door. It gave on a short hallway with an open space for clothes and a built-in dresser. On the dresser was a comb and a black brush with a few blond hairs in its black bristles. Also a can of talcum, a small flashlight with a cracked lens, a pad of writing paper, a bank pen, a bottle of ink on a blotter, cigarettes and matches in a glass ashtray that contained half a dozen stubs.

  In the drawers of the dresser were about what one suitcase would hold in the way of socks and underclothes and handkerchiefs. There was a dark gray suit on a hanger, not new but still good, and a pair of rather dusty black brogues on the floor under it.

  I pushed the bathroom door. It opened about a foot and then stuck. My nose twitched and I could feel my lips stiffen and I smelled the harsh sharp bitter smell from beyond the door. I leaned against it. It gave a little, but came back, as though somebody was holding it against me. I poked my head through the opening.

  The floor of the bathroom was too short for him, so his knees were poked up and hung outwards slackly and his head was pressed against the woodstone baseboard at the other end, not tilted up, but jammed tight. His brown suit was rumpled a little and his dark glasses stuck out of his breast pocket at an unsafe angle. As if that mattered. His right hand was thrown across his stomach, his left hand lay on the floor, palm up, the fingers curled a little. There was a blood-caked bruise on the right side of his head, in the blond hair. His open mouth was full of shiny crimson blood.

  The door was stopped by his leg. I pushed hard and edged around it and got in. I bent down to push two fingers into the side of his neck against the big artery. No artery throbbed there, or even whispered. Nothing at all. The skin was icy. It couldn’t have been icy. I just thought it was. I straightened up and leaned my back against the door and made hard fists in my pockets and smelled the cordite fumes. The baseball game was still going on, but through two closed doors it sounded remote.

  I stood and looked down at him. Nothing in that, Marlowe, nothing at all. Nothing for you here, nothing. You didn’t even know him. Get out, get out fast. I pulled away from the door and pulled it open and went back through the hall into the living
room. A face in the mirror looked at me. A strained, leering face. I turned away from it quickly and took out the flat key George Anson Phillips had given me and rubbed it between my moist palms and laid it down beside the lamp.

  I smeared the doorknob opening the door and the outside knob closing the door. The Dodgers were ahead seven to three, the first half of the eighth. A lady who sounded well on with her drinking was singing Frankie and Johnny, the roundhouse version, in a voice that even whiskey had failed to improve. A deep man’s voice growled at her to shut up and she kept on singing and there was a hard quick movement across the floor and a smack and a yelp and she stopped singing and the baseball game went right on.

  I put the cigarette in my mouth and lit it and went back down the stairs and stood in the half dark of the hall angle looking at the little sign that read: Manager, Apt. 106.

  I was a fool even to look at it. I looked at it for a long minute, biting the cigarette hard between my teeth.

  I turned and walked down the hallway towards the back. A small enameled plate on a door said: Manager. I knocked on the door.

  NINE

  A chair was pushed back, feet shuffled, the door opened.

  “You the manager?”

  “Yeah.” It was the same voice I had heard over the telephone. Talking to Elisha Morningstar.

  He held an empty smeared glass in his hand. It looked as if somebody had been keeping goldfish in it. He was a lanky man with carroty short hair growing down to a point on his forehead. He had a long narrow head packed with shabby cunning. Greenish eyes stared under orange eyebrows. His ears were large and might have flapped in a high wind. He had a long nose that would be into things. The whole face was a trained face, a face that would know how to keep a secret, a face that held the effortless composure of a corpse in the morgue.

  He wore his vest open, no coat, a woven hair watch-guard, and round blue sleeve garters with metal clasps.

  I said: “Mr. Anson?”

  “Two-o-four.”

  “He’s not in.”

  “What should I do—lay an egg?”